Skip to main content

Buddha Shakyamuni

The First Sermon


Artefact Description


This Gandharan figure is an early iconic representation of the Buddha, as the Foremost Teacher of the Dharma. The gesture of His Hands displaying the Dharmacakra (turning-the-wheel-of-law) mudra is symbolic of His First Sermon, setting the Dharma Wheel in motion.5 fig60, p292

 

The Dharmachakra mudra is formed when the thumb and index finger of both the hands touch at their tips to form a circle. This particular circle symbolizes the Wheel of Dharma.3 p31

 

The three remaining fingers of both hands remain extended and they have their own symbolic importance: The middle finger of the right hand represents the 'hearers' of the Teachings of the Buddha, the ring finger represents the 'realizers' of the Teachings and the little finger represents the Mahayana or 'The Great Vehicle'.

 

Similarly, the three extended fingers of the left hand represent the Three Jewels of the Buddhism. They are: the Buddha, the Dharma and the Sangha. As the gesture is performed with the hands held in front of the chest, the Dharmachakra mudra convey the meaning that the Teachings are straight from the Buddha's heart.

 

While He sits in Dhyanasana (meditation) posture on a Padmasana (lotus throne), His legs are in a seated position, where the soles of the feet are facing upwards.

 

Following His Enlightenment in Bodh Gaya, the Buddha went to the Deer Park, near Sarnath and preached His First Sermon on the Four Noble Truths to the five ascetics, who then went forth and ordained as the first Buddhist monks, establishing the Sangha in the process.

 

This grey schist figure of Shakyamuni Buddha is in mint condition, and the delicate voluminous folds of His robe, elongated ear lopes, Urna (a tuft of hair in between His eyebrows) on His forehead, well-defined musculature, well-kempt and curly hair which forms the Ushnisha (topknot protuberance) and deep-concentration look are based on the 112 marks of a Great Man (see The Forecast 预言).

Artefact Description


Deeply carved, depicting a crowned Buddha at the centre clad in a finely draped sanghati, His now abraded palms held before Him in Dharmachakra mudra, seated on a lotus pedestal beneath a canopy bearing mangoes.

 

Flanked by a pair of standing Buddhas at His sides, kneeling celestials above and donor figures below, the scene was set within a heavily ornamented scalloped pillared arch, its circumference decorated with a foliate scroll of a Makara (Zodiac sign Capricorn) and the upper register of the relief bearing three diminutive seated Buddhas.

 

The depiction of the Buddha as a crowned figure (Mukutadharin) gained popularity during the Pala period. The form was meant to emphasize His role as a Chakravartin or Universal Sovereign.

 

The two standing Buddhas on either side of the central seated figure represent events related in the Buddhist Canon. The figure displaying Varada mudra on the left represents Shakyamuni's descent from the Trayatrimsa heaven, while the figure to the right displaying Abhaya mudra, most likely represents Shakyamuni's taming of the elephant Nalagir.

 

Buddhas on the upper register represents Maravijaya, the moment of Enlightenment and he is flanked by two Buddha figures holding bowls, signifying the monkey's gift of honey to the Buddha.

Historical Background

Since He not only comprehends but also expounds the doctrine and enlightens others, He is called a Sammā Sambuddha - a Fully Enlightened One - to distinguish Him from Pacceka (Individual) Buddhas, who only comprehend the doctrine but are incapable of enlightening others.

 

Having decided to proclaim the Dhamma for the benefit of men and gods, the Buddha reflected on people who should be His first listeners. It occurred to Him that it was nothing but right to share His Teaching first with Alara Kalama, His former guru in spiritual search.1 c26, 7 c5, 8 c4

 

"He will understand this profound Teaching if I were to teach him first," the Buddha thought. Then He came to know with Dibbachakkhu (His Divine Eye) that He had expired one week back.2 p46

 

Next, He thought of Uddaka Ramaputta as the suitable listener, but found out he had, unfortunately, died the night before.

 

As the third alternative, He thought of the Five Ascetics, who kept company and attended to His needs, during the time He practiced self-mortification. They were still practicing as a group, at Rishipattana or Isipatana Deer Park, near Varanasi or Benaras.3 p93

 

Therefore, He decided to visit them and teach His Dhamma to the Five Ascetics.

 

As Buddha neared the forest of Sarnath, one of the five ascetics, Aàhvajit saw Him walking toward the forest they were in. He ran back to his four companions and announced the news.

 

They all agreed that they would not receive Him with respect and not stand up when He came because Siddhartha had broken His practice vow when they parted ways and left the path of asceticism. Nevertheless, in spite of their decision, when Buddha approached them, they spontaneously stood up in greeting. They could not help it.2 p47

 

One of His old disciples fetched water, as was the Indian custom, so Buddha might wash His hands and feet. One fetched a stool so He could sit. Another took Buddha's begging bowl. They all attended to Him. The splendour of His presence was so evident that they could not resist Him.

 

Then the Buddha delivered His first ever Sermon. The Sermon is recorded in the Vinaya text Mahavaggapali, and respectfully recited as 'Dhammacakka-ppavattana Sutta' everywhere in the Buddhist world. It explains how futile it is to practice extremes, and the way to attain the Four Noble Truths.1 c26, 2 p49, 7 c6, 8 c4

 

At the end of the Sermon, Kondanna attained the first stage of the Path, the Sotapannahood. As he was the first ever disciple to attain any stage of sanctification in the Buddha's missionary career, he is called Anna Kondanna (Kondanna, the Attainer).

 

Over the next two days, the Buddha divided the five ascetics into two groups. The group of two went on alms-search the first day during which time the Buddha instructed the remaining three. On the next day, the group of three went out for bringing alms, while the Buddha instructed the group of two. Having been instructed this way they all attained Sotapannahood and were ready for further instruction.2 p49

 

The Buddha then addressed all five of them together and delivered Anattalakkhana Sutta. On the hearing of that Sermon, which explains soullessness, all the five ascetics attained Arahanthood.

 

Eventually, the Five Ascetics formed the first Sangha. Hence, the first formation of the Triple Gems (Buddha, Dharma, Sangha) was completed.

Buddha Tooth Relic Temple & Museum Similar Artefacts

Artefact Description


The Buddha is seated and his hands are held in front of his upper torso with the thumbs and index fingers of both hands touching to form wheels, the other fingers lightly curled but leaving the palms showing, and the right hand placed above the left. This gesture is known as the Dharmachakra (turning-the-wheel-of-law) mudra.

 

The three extended fingers of the right hand represent the three vehicles of the Buddha's teachings, namely:

 

  1. The middle finger represents the 'hearers' of the Teachings;
  2. The ring finger represents the 'solitary realizers'; and
  3. The Little finger represents the Mahayana or 'Great Vehicle'.

The three extended fingers of the left hand symbolize the Three Jewels of Buddhism, namely, the Buddha, the Dharma, and the Sangha.

Artefact Description


Similar to the 'Buddha Preaching the First Sermon' sculpture made during the Gupta empire (320 BCE - 500 BCE) which is located in the Sarnath museum, this sculpture has a circular nimbus with two flying celestial figures, behind the head of the Buddha.

 

Under the Gupta Empire, artists formulated what became the canonical image of the Buddha, combining the Gandharan monastic robe covering both shoulders with the Mathuran tradition of soft, full-bodied Buddha figures dressed in clinging garments. These disparate styles beautifully merge in this fifth-century statue of the Buddha from Sarnath. The statue's smooth, unadorned surfaces conform to the Indian notion of perfect body form and emphasize the figure's spirituality.

 

The Buddha is seated cross-legged with both of the soles pointing upwards on a throne (with lions at opposite ends), and his hands are held in front of his lower torso with the thumbs and index fingers of both hands touching to form wheels, displaying the Dharmachakra mudra (turning-the-wheel-of-law) mudra.

 

Below the Buddha is a scene with the wheel (symbolising the Wheel of the Law) at the centre, between three disciples on each side, with two deer at the bottom (symbolising the Deer Park at Sarnath). The lower scene is slightly different with one from Sarnath museum, as it shows the wheel flanked by a mother and child on one side. Buddha images such as this one became so popular that temples housing Buddha statues have displaced the stupa as the norm in Buddhist sacred architecture.

Artefact Description


This gold leaf on copper panel is the initial trial panel of the 'Eight Aspects of Buddha's Life'- panels found at the base of the Golden Sacred Relic Buddha Tooth Stupa, located on the 4th floor of the Temple. This was crafted by Shanghai Kangyu Enterprise.

 

The scene of 'The First Turning of the Dharma Wheel' is elaborated with the vivid depictions of Buddha Shakyamuni spotted in Abhya (Fear-dispelling) mudra, surrounded by the Five Ascetics, against the backdrop of the Deer Park at Sarnath.

Ven. Chao Khun Fa ZhaoBBM's Pilgrimage to Sarnath, India

In 2007, the chief Abbott of Buddha Tooth Relic Temple (Singapore) Ven. Chao Khun Fa ZhaoBBM went on a pilgrimage to Sarnath, India.

 

Located 12km northeast from Varanasi, in Uttar Pradesh, Sarnath remains as one of the most revered pilgrimage centres. It is believed that after attaining Enlightenment at Bodhgaya, it was here at Sarnath, where the Lord Buddha preached His First Sermon (Middle Way to Nirvana), sanctified as Maha Dharma Chakra Parivartan.

 

Sarnath contains some of the more remarkable stupas, such as the Great Dhamekha Stupa.

 

This is the most conspicuous structure at Sarnath. Colonel Cunningham bore a shaft from the top centre of the stupa and discovered a stone tablet on which an inscription was written with the word Dhamekha which mentioned that this was the spot where the Buddha delivered His First Sermon.

 

Dhamekha seems to be a distorted form of Dharma Chakra, which means turning the wheel of the Dharma. It is believed the Five Ascetics, after leaving Lord Buddha, used to live in this spot in Sarnath.

 

The original stupa was believed to be constructed by Emperor Ashoka, to propagate the Teachings of Lord Buddha all over India. The present size of the stupa is 31.3 m high and 28.3 m in diameter. The lower portion of the stupa is covered completely with beautifully carved stones. The design consists of a broad band of Swastika (fylfot) carved in different geometrical patterns with a finely chiselled lotus wreath, running over and below the swastikas.

 

The pillar by Emperor Ashoka (273-232 BCE), that marks the foundation of the Buddhist Sangha is also located here (alongside numerous stupas and monasteries), and the Lion Capital atop this pillar is now India's National Emblem.

 

The Chaukhandi Stupa marks the place where the Buddha met his first five disciples, which are the five Pañcavaggiya monks, who left him in Bodhgaya before His Enlightenment. It was also here that the Buddha first preached the Dharma to His five disciples and, started the "Wheel of Dharma".

 

The first sutta that Lord Buddha taught was Dhammacakkappavattana Sutta. But there are other different suttas that were preached by Lord Buddha in Deer Park, such as the Anattalakkhana Sutta and the Saccavibhanga Sutta. He also preached about the Middle Way, the Four Noble Truths and also prescribed the Eight-fold Path.

 

Sarnath was previously known as Mrigadava, or "Deer Park". Saranth is also known as Isipatana, meaning the place where holy men fell to earth. The name is based upon the legend that when the Buddha was born, devas came down to announce His birth to five hundred holy men. The holy men all rose into the air and disappeared, with their relics falling to the ground.

 

The current name Sarnath means "Lord of the Deer", and relates to another old Buddhist story in which the Bodhisattva was a deer who offered his life to the king, in place of the doe that the king was originally planning to kill. The king was so moved that he created the park as a sanctuary for the deer.

Bibliography:

  1. Lalitavistara 'The Play in Full', Translated by the Dharmachakra Translation Committee, 2013
  2. Ven. Weragoda Sarada Maha Thero, Life of The Buddha In Gandhara Art, 2006, ISBN 981-05-7045-7
  3. Department of Tourism, Government of India, Walking with the Buddha, 2nd edition 2004, ISBN 81-87780-24-X
  4. Indian Museum, Kolkata, The Way of The Buddha, reprint 2005
  5. Ratan Parimoo, Life of the Buddha in Indian Sculpture, 1936, ISBN 13:9788124605523
  6. Charles F. Chicarelli, Buddhist Art: An Illustrated Introduction, 2004, ISBN 974-9575-54-7
  7. Ven. Narada Maha Thero, Vision of The Buddha, The Buddha and His Teachings, 2006, ISBN-10: 8179926176
  8. Saddhaloka, Encounters With Enlightenment, Stories from the Life of the Buddha, Windhorse Publications, 2001, ISBN 978 1 899579 37 2